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Providing access to the upper registers of the fingerboard, the soft Venetian cutaway is both practical and attractive, while the Taylor Expression System™ allows you to share your music with the world.
top
Sitka Spruce
back/sides
Ovangkol
Expression System®
Gloss
Large Pearl Dots
| Type/Shape | 6-String Grand Auditorium |
| Back & Sides | Ovangkol |
| Top | Sitka Spruce |
| Soundhole Rosette | Plastic |
| Neck | Tropical American Mahogany |
| Fretboard | Ebony |
| Fretboard Inlay | Large Pearl Dots |
| Headstock Overlay | Indian Rosewood |
| Binding | White |
| Bridge | Ebony |
| Nut & Saddle | Tusq |
| Tuning Machines | Chrome-plated Taylor Tuners |
| Strings | Elixir® Light Gauge Strings with NANOWEB® Coating |
| Scale Length | 25 1/2 Inches |
| Truss Rod | Adjustable |
| Neck Width at Nut | 1 3/4 Inches |
| Number of Frets | 20 |
| Fretboard Radius | 15 Inches |
| Bracing | Standard II (Forward Shifted Pattern W/Relief Rout) |
| Finish | Satin with Gloss Top |
| Color Options | Natural |
| Sunburst Options | None |
| Cutaway | Venetian |
| Electronics | Taylor Expression System® |
| Left-Handed | Available; No Charge |
| Body Width | 16 Inches |
| Body Depth | 4 5/8 Inches |
| Body Length | 20 Inches |
| Overall Length | 41 Inches |
| Case | Taylor Hardshell |
| U.S. Suggested Retail Price | $2568.00 |
Prices, specifications, and availability are for the North American market only and are subject to change without notice.
Ovangkol/Sitka
The timbre of ovangkol, which many find reminiscent of rosewood, combines with the punch of a Sitka spruce top to create a rich tonal tapestry.
The timbre of ovangkol, which many find reminiscent of rosewood, combines with the punch of a Sitka spruce top to create a rich tonal tapestry.
Grand Auditorium
Though you might see similarities to a Grand Auditorium, the GS is unique in both sound and shape. Significant changes in its geometry yield a deeper, more piano-like bass. A wider lower bout and higher, wider waist return ample volume and low-end sustain, without comprising the clarity of the mids and the highs.
Though you might see similarities to a Grand Auditorium, the GS is unique in both sound and shape. Significant changes in its geometry yield a deeper, more piano-like bass. A wider lower bout and higher, wider waist return ample volume and low-end sustain, without comprising the clarity of the mids and the highs.
Expression System®
Using proprietary pickup technology developed at Taylor, the Expression System® amplifies your guitar with an unrivaled, natural live sound. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally-clean amplified sound. It’s your tone. Amplified.
Using proprietary pickup technology developed at Taylor, the Expression System® amplifies your guitar with an unrivaled, natural live sound. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally-clean amplified sound. It’s your tone. Amplified.
Gloss
The finish used to create this guitar's lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available in natural finish.
The finish used to create this guitar's lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available in natural finish.
Large Pearl Dots