A kop top's visual beauty is instantly inspiring, while its sonic rewards unfold over time, as warm, sweet overtones gradually emerge.
Sitka Spruce
The soundboard choice for most guitars, Sitka spruce produces a broad dynamic range and accommodates a versatile range of playing styles.
Western Red Cedar
A true performer for those with a lighter touch, cedar tops yield extra warmth and pair nicely with mahogany and rosewood.
Adirondack Spruce
Loud, dynamic, clear and undeniably loud, Adirondack is a good match for players with a driving attack.
Engelmann Spruce
Engelmann's mature tone compared to Sitka tends to yield an extra splash of midrange warmth and richness.
Tropical Mahogany
As a hardwood top, mahogany's density translates into a bright tone that develops more overtone bloom with increased playing.
European Spruce
Similar to Engelmann spruce, with extra headroom and overtone warmth for a robust, mature sound.
Sinker Redwood
Reclaimed from Northern California rivers, sinker’s warmth is similar to cedar, with a bolder response.

Origin: Indonesia
Used On: Limited Editions, Custom Guitars
Another dense hardwood, Macassar boasts a lot of presence and is typically clear and loud with a broad dynamic range. It seems to be a wood that is uniquely responsive to different playing styles. It has a strong bass and lower mids; clear and transparent highs that respond like an accelerator pedal as you move your right hand closer to the bridge and dig in a bit; and a slightly scooped midrange.
Macassar likes to be played hard, and tends to take a slightly longer period of playing time to open up. When it's used with a softer top wood like cedar or redwood, it makes a balanced instrument. When topped with Adirondack spruce it becomes an all-out cannon. Some players tend to pull more brightness out of the wood; others, like Bob Taylor, tap into its darker side.
"To me, Macassar has a great 'low-fi,' old Gibson vibe," Bob says. "It's dark, it's dense, it's heavy. It's killer for a very manly, old school strum. We put a super clear 'finishing salt' on its tonal flavor using our style of construction to brighten it up, but to my ear the tonal beauty of this wood is the low-fi vibe. I love the sound. I bought one."
Goes Well With: Old-school strummers and players with a heavy picking hand who like a thick old school sound; players who struggle to get enough brightness and articulation from traditional woods.