Our search for the world's finest tonewoods is a chance to explore a universe of tonal possibilities. Responsible procurement, careful preparation, and skilled craftsmanship are required ingredients in the guitar building process. Like guitars themselves, wood is our passion.
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Over a decade ago, Taylor introduced the world to a pair of new tonewoods, the first being ovangkol. An African relative of rosewood, it’s a great sounding wood that shares many of rosewood’s tonal properties, with a slightly fuller midrange and a top end that’s not quite as bright as maple. Being lesser known than rosewood, ovangkol has been a sleeper hit over the years, asserting itself as an instant contender among unsuspecting players who test-drive a variety of Taylor models.
Goes Well With
Most applications. Players who perhaps don’t have predefined tonal preferences, who may be generalists in their style of play, and who are looking for a well-rounded, all-purpose solid wood guitar. It works well with different body shapes.
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| What about Brazilian? |
| Over the last few decades, Brazilian rosewood has maintained its reputation as a prized tonewood for several reasons: Its heritage traces back to the much celebrated pre-war era of guitar-building; it often has a striking visual appeal and a clear, full tone with complex overtones and ample dynamic range; and the supply remains scarce due to an export embargo imposed in the late 1960s as a result of overharvesting. “Brazilian is just kind of over, even though, ironically, there’s lots of it in Brazil,” says Bob Taylor. “You just can’t get it out. It’s difficult to obtain the proper legal certification. Even if you pull out fence posts or stumps from long-ago-harvested trees, obtaining them in a perfectly legal, above-board fashion, you’re probably not going to be able to get the legal paperwork to export it.” It’s gotten to the point where guitar companies in other countries, who own legally obtained Brazilian but don’t have adequate paperwork, have found their wood impounded indefinitely by government officials. On top of that, much of what is legally accounted for isn’t of the highest grade, yet its rarity has made it prohibitively expensive. Is it a great tonewood? Yes. Is it worth the current headaches associated with trying to legally obtain it? Probably not.
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