Western Red Cedar

Taylor Acoustic Guitar Woods

Tropical Mahogany A midrange powerhouse. Mahogany is prized for balance and articulation, making it one of the best all-around tonewoods there is. Indian Rosewood The tonewood superstar. Popular, traditional, and versatile, Bob Taylor puts Indian rosewood among the greatest tonewoods ever. Big Leaf Maple High-end sparkle and incomparable good looks put maple in its own category. Hawaiian Koa Few woods carry the allure of Hawaiian koa, with its gorgeous figure and sweet, complex tone. Walnut Walnut’s crisp highs are balanced by a deep, woody low end that emerges as the guitar is played in. Cocobolo A cannon of a guitar, with exotic coloration and figure to match its bold voice. Ovangkol Although not as well-known as its Indian rosewood cousin, ovangkol shares many of the same properties, making it a versatile, great-sounding tonewood. Sapele One of the best all-around tonewoods there is, sapele will deliver for any playing style. Rosewood Laminate A rosewood veneer and laminate construction present a beautiful aesthetic in a durable, affordable package. Sapele Laminate Laminate construction is used to offer attractive, durable and affordable models. Maple Laminate Maple veneer is part of the resilient laminate construction on the black 214ce-BLK. Blackwood Laminate A blackwood veneer with laminate construction blends exotic beauty, resilience and affordability. Quilted Sapele Besides boasting gorgeous figure, the tone enhances sapele’s “bright mahogany” voice with extra low-end warmth. Tasmanian Blackwood Koa's cousin produces a similar tone, with a breathy midrange and bright treble notes, plus low-end overtones. Macassar Ebony Macassar’s exotic beauty is matched by a bold, dynamic tone that can be dark or bright, depending on the player and the top pairing. Koa Laminate Koa veneer is part of the resilient laminate construction on the 210ce-K and 214ce-K. Granadillo Sonically comparable to rosewood, granadillo’s higher density yields a clear, ringing tone. African Ebony A dense wood typically used for fretboards and bridges, ebony produces rich overtones.

Western Red Cedar

Origin: Western North America

Used On: 514ce, 514ce-N, 512ce, 514ce-N, GA5, GS5, GC5, GA7, GS7, GC7

Cedar is less dense than spruce, and that softness typically translates into a sense of sonic warmth. If Sitka has a full dynamic range, cedar makes quieter tones louder, but it also imposes more of a ceiling on high volume levels driven by an aggressive attack. If one tries to drive a cedar top hard, at a certain point it will reach a volume limit. Typically, players with a lighter touch sound wonderful on a cedar-top guitar, fingerstyle players especially — that lighter touch will be amplified a little more, and one's attack never reaches the ceiling. Flatpickers are likely to hit the ceiling fast, and might be frustrated by an inability to get the tonal output to match their attack.

Cedar's color can range from lighter to darker.

Goes Well With: Fingerstylists, players with a lighter touch, mahogany and rosewood GA, GS and GC bodies.

 

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