400 Series
Whether you choose ovangkol or rosewood, you can count on a lively, full-range acoustic voice.
400 Series
Indian rosewood or African ovangkol? Both deliver full-range tone profiles. Rosewood’s voice tends to emphasize the low and high ends of the tonal spectrum, with an extra splash of treble sparkle, while ovangkol will lean toward a stronger midrange presence. Let your ears be the judge. If it comes down to looks, you’ve got ovangkol’s golden-brown hues and Small Diamond inlays versus rosewood’s chocolate complexion and a Renaissance fretboard inlay. Whichever flavor you prefer, signature Taylor playability will help you sound your best.
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Our cutaway acoustic/electric Grand Auditorium 414ce has long been a staple of gigging and recreational players thanks to its musical versatility and clean, workmanlike aesthetic.
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This fingerstyle-friendly Grand Concert boasts the classic tonewood pairing of solid Indian rosewood back and sides with a Sitka spruce top, and like other Grand Concert body styles, features a slightly shorter 24-7/8-inch scale length to make reaching and fretting notes easier.
414ce
Our cutaway acoustic/electric Grand Auditorium 414ce has long been a staple of gigging and recreational players thanks to its musical versatility and clean, workmanlike aesthetic.
412e-R
This fingerstyle-friendly Grand Concert boasts the classic tonewood pairing of solid Indian rosewood back and sides with a Sitka spruce top, and like other Grand Concert body styles, features a slightly shorter 24-7/8-inch scale length to make reaching and fretting notes easier.
416ce
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