400 Series
Whether you choose ovangkol or rosewood, you can count on a lively, full-range acoustic voice.
400 Series
Indian rosewood or African ovangkol? Both deliver full-range tone profiles. Rosewood’s voice tends to emphasize the low and high ends of the tonal spectrum, with an extra splash of treble sparkle, while ovangkol will lean toward a stronger midrange presence. Let your ears be the judge. If it comes down to looks, you’ve got ovangkol’s golden-brown hues and Small Diamond inlays versus rosewood’s chocolate complexion and a Renaissance fretboard inlay. Whichever flavor you prefer, signature Taylor playability will help you sound your best.
Related Guitars
412ce
The solid ovangkol/spruce 412ce features Taylor’s compact Grand Concert body shape, a short-scale neck, and V-Class bracing, which delivers an overall boost to the volume and sustain produced by this small-bodied guitar.
412ce-R
The solid rosewood/spruce 412ce-R features Taylor’s compact Grand Concert body shape, a shorter 24-7/8-inch scale length for extra fretting comfort, and a Venetian cutaway that offers greater access to the upper register.
412ce
The solid ovangkol/spruce 412ce features Taylor’s compact Grand Concert body shape, a short-scale neck, and V-Class bracing, which delivers an overall boost to the volume and sustain produced by this small-bodied guitar.
412ce-R
The solid rosewood/spruce 412ce-R features Taylor’s compact Grand Concert body shape, a shorter 24-7/8-inch scale length for extra fretting comfort, and a Venetian cutaway that offers greater access to the upper register.
412e-R
This fingerstyle-friendly Grand Concert boasts the classic tonewood pairing of solid Indian rosewood back and sides with a Sitka spruce top, and like other Grand Concert body styles, features a slightly shorter 24-7/8-inch scale length to make reaching and fretting notes easier.