400 Series
Whether you choose ovangkol or rosewood, you can count on a lively, full-range acoustic voice.
400 Series
Indian rosewood or African ovangkol? Both deliver full-range tone profiles. Rosewood’s voice tends to emphasize the low and high ends of the tonal spectrum, with an extra splash of treble sparkle, while ovangkol will lean toward a stronger midrange presence. Let your ears be the judge. If it comes down to looks, you’ve got ovangkol’s golden-brown hues and dot inlays versus rosewood’s chocolate complexion and, new for 2018, a Renaissance fretboard inlay. Whichever flavor you prefer, signature Taylor playability will help you sound your best.
Related Guitars
412e-R
This fingerstyle-friendly Grand Concert boasts the classic tonewood pairing of solid Indian rosewood back and sides with a Sitka spruce top, and like other Grand Concert body styles, features a slightly shorter 24-7/8-inch scale length to make reaching and fretting notes easier.
410e-R
This non-cutaway Dreadnought blends a classic body style with the equally classic tonewood pairing of rosewood and spruce to offer players the quintessential acoustic workhorse guitar, especially for flatpickers and strummers looking for strong tonal output, good low-end growl, and strong, clear trebles.
412e-R
This fingerstyle-friendly Grand Concert boasts the classic tonewood pairing of solid Indian rosewood back and sides with a Sitka spruce top, and like other Grand Concert body styles, features a slightly shorter 24-7/8-inch scale length to make reaching and fretting notes easier.
410e-R
This non-cutaway Dreadnought blends a classic body style with the equally classic tonewood pairing of rosewood and spruce to offer players the quintessential acoustic workhorse guitar, especially for flatpickers and strummers looking for strong tonal output, good low-end growl, and strong, clear trebles.
416ce
The sonic power and depth of Taylor’s Grand Symphony body shape, especially in the lower mids, add girth and sustain to the overall voice.